Tea Leaf Green- “The Garden 1, 2, & 3” Savannah’s Albany NY 5-21-2004.
And locations. The next step is to determine which layout (geometry) is the most appropriate. The following geometries (curvilinear, rectilinear, rectilinear, radial or arc-tangent) are all based on the same bubble diagram. Note that everything in the bubble diagram stays the same. Only the SHAPE of each element changes. Invisible directives extend out of the building under different angles of different degrees. A grid can be formed using known points on the architecture, such as the corner of the building, the center line of the window or door, and the edge of a porch. Objects placed in the landscape should have a direct geometric relationship with the building and with each other.
Figure 19 - 25. There is a wide variety of textures, sizes and leaf colors as well as the variety of hArdscape elements that keep this little space interesting. Figure 19-26. Harmony is seen in this Japanese garden, all the components of the design relate to each other to create a coherent whole. In the first part of this chapter, we presented the principles and concepts that underlie landscaping. In this section, we focus on the mechanics of developing a landscaping plan. The planning of a residential landscape begins with the evaluation of the entire space and the desired overall effect of the final design.
Use symbols on the map to clearly convey plant information and allow for inclusion of details in the design. Figure 19-28 provides commonly used symbols. The trees should be drawn with transparent symbols so that the elements under the canopy of the tree can be seen easily. In contrast, ground covers can be dark or densely drawn because nothing is planted beneath them. Evergreen and deciduous trees and shrubs should be easy to distinguish graphically. The real test of good landscaping is to ask the following two questions: Using the fundamental design principles described at the beginning of this chapter and applying the results of steps 1-5, we can develop the final landscape design plan incorporating the design considerations. and plant selections.
Figure 19 - 13. This arch is a transition space that invites you to cross and experience another part of the landscape. Figure 19 - 14. A large outdoor garden room that can accommodate several people. Figure 19 - 15. An intimate outdoor dining room on a scale for two people. Figure 19 - 16. A distant focal point, note the blue building at the end of this path. Figure 19 - 17. This is the destination of the focal point. Figure 19 - 21a. The bubble chart allows you to determine the best size and location of the items you are looking for and the traffic patterns. Figures 19-21b-d play with FORMS. Note that all the elements of the bubble stay in the same place and remain fairly constant in size.
Anyway, it is important to consider how each change will be related to the big picture. Step back from time to time to see the entire landscape and how each part fits. You can build your own landscaping structures, including a wooden bed. Find how. Start at the starting box, whether you’re trying to do landscaping magic by transforming a new site or refresh a site that’s already in place. Starting at the start box means that you first see what you need to work on. Look at your landscape as if through a giant magnifying glass – scrutinizing every detail. So allow yourself to dream. Soon, you will come up with all sorts of ideas and sketch out rough plans.
Embrace the shapes of plants and use them in your landscape ideas. Usually, I enter some tall, upright plants to attract attention and break the monotony that accompanies the use of many shrubs and perennials. I also often take classes with plants that cry: they add excitement, visual energy and a unique gracious form to your yard. When I help people design their gardens, they often ask for a lot of color and look out on the green. But using a variety of shades of green is a wonderful idea of landscaping and a way to add depth to your plantings.